Pillbox

Paperhouse

In 1988, pop culture’s unkempt poster child of doom and gloom and lead singer of British supergroup The Cure, Robert Smith, married his childhood sweetheart — Mary Poole. To honor the occasion, Smith wrote “Lovesong,” perhaps one of the world’s most covered songs.

Despite the fact that musicians such as Adele, 311, Jack Off Jill, Tori Amos, and Death Cab for a Cutie have covered this song, it is perhaps one of The Cure’s weakest. When compared to every other song on 1989’s Disintegration, something isn’t quite right.

It could be Smith’s disregard for his signature three-minute introductions, or perhaps the lack of multifaceted lyrical interpretations, that make the song so boring in comparison to the rest of the album. In “Lovesong,” Smith croons “however far away / I will always love you” over and over again. What happened to the sad, dark, and depressing Smith that we all know and love?

Other songs on Disintegration follow The Cure’s formula of melodic happiness juxtaposed with oh-so-sad lyrics. On “Lullaby,” Smith is afraid of a spider, while on “Pictures of You,” Smith reminisces on a lost love. Despite this shift in formulation, “Lovesong” peaked at number two on the Billboard Modern Rock Tracks chart, and has been covered too many times to count.

I guess people love the straightforward presentation of the song: It’s comforting and idealistic. I know Valentine’s Day is coming up, but please, whatever you do, do not play this song. If you’re alone and looking for some good music, check out The Cure’s extensive back catalog.

Also, regardless of your plans for this fantastically commercial holiday that allows Hallmark to stay in business and creates an artificial demand for roses, you should call up your mom, and tell her that you love her.